Chamere Gufa, Dhadingbesi

Nilakantha (धादिङ - NP)
27.916700,84.900000
Grottocenter / carte

Description

Herbert Daniel Gebauer - 15/07/2016

A relatively wide, west-facing cave entrance leads to an only recently (March 1992) established temple cave, which is sacred to an unidentified god or goddess (DUCLUZAUX 1993d: 26, 28 cave plan, elevation), A short way in, the cave passage (about 2 m wide and 3 m high) is walled-off but a door or gate gives access to an underground passage which initially descends 6 m down to a mud covered floor before the route ascends among collapse boulders for another 100 m of bouldery crawlways mixed with few reasonably sized cave passages to the topmost accessible height 33 m above the cave entrance. Though the cave does contain secondary calcite formations (speleothems) it is ugly throughout (instable, constricted and muddy) and formed in a "giant boulder collapse" into which only a visionary seer endowed with karstic eyesight is able to project three levels of karstification (note 1). ETYMOLOGY: The cave name »Chamere Gupha« (DUCLUZAUX & SCHENKER 1992: 59; DUCLUZAUX 1993d: 26, 28) is a version of the Gorkhali (aka Nepali) "Chamero Gufa" for Bat Cave. The entertaining part follows when DUCLUZAUX (1993d: 26) locates »Chamere Gupha« not only in Dhading district but also at »Gahiri Basaha« but this is not a place name but the invitation to »sit down, get seated« (note 2). IDENTITY: Compare –>Gupteshvar Cave (Dhading), –>Gugieshwary Mahadeo Gufa / Papi Drewa Dharma Drewa, and –>Nagdhunga Gufa. SITUATION: For all practical reasons on the summit of an unidentified hill or mountain (note 3) without known name, which, according to DUCLUZAUX (1993d: 26), culminates since 10 million years not only at a linear distance of 30 km in an unidentified direction from Kathmandu (note 4) but also at a walking distance of 4 hours across an unidentified pass into a direction that appeared to be east (note 5) of »Dhading Besi« (DUCLUZAUX 1993d: 26), »Dhadinbesi« or Dhadingbesi (note 6). CULTURAL HISTORY - religious show cave & cave legend: One or several unidentified entrepreneurs from an unidentified village commenced in March 1992 to turn the cave and unprofitable bat hunting ground into a religious industry outlet providing access to venerable speleothems simply by declaring secondary calcite deposits as aniconic representations of the four currently best-selling gods of the Hindu pantheon, namely Shiva (aka Mahadeva), Parvati, Ganesh and Hanuman. By October / November 1992, resident entrepreneurs had already erected a small temple near the cave, contemplated erecting a grand temple, and conceived constructing a road to the cave entrance as a desirable future possibility (note 7). At the same time, Bruno Ducluzaux contributed to the not yet -- if not at all -- existing attractiveness of the envisaged religious trading post by inventing a spelologically sounding karst legend according to which the cave existed from the very beginning of the Himalayan orogenesis onwards (note 8).

Herbert Daniel Gebauer - 15/07/2016

NOTE 1: »La progression se fait dans une gigantesque trémie qui recoupe trois niveaux de galeries karstiques« (DUCLUZAUX & SCHENKER 1992: 59). »La progression se fait entre les blocs d'une gigantesque trémie, qui recoupe trois niveaux karstiques. Cette cavité … n'est pas une belle grotte (boue, étroitures, trémies). C'est le seul trou himalayen où la visite n'a pas été agréable« (DUCLUZAUX 1993d: 26). NOTE 2: "gahiro" (adjective) deep; "basaunu" (verb, transitive) to set, to get seated. NOTE 3: »Le réseau, pratiquement au summet d'une montagne, doit être très ancien« (DUCLUZAUX 1993d: 26). NOTE 4: »Le souvlèment de la region a commencé il y a 10 Ma« (DUCLUZAUX 1993d: 26). NOTE 5: One problem is that walking from Dhadingbesi 4 hours east does not lead across any pass but continues uphill along a spur while walking from Dhadingbesi 4 hours SOUTH does cross a pass and leads to Sunoulabazar (N27°51'40”: E084°53'00”), a village which does lie, just as the Bat Cave of DUCLUZAUX (1993), as good as on top of a hill, but also is the site of the locally famous –>Gupteshwar Gufa (Sunoulabazar). NOTE 6: »Dhading Besi« (DUCLUZAUX 1993d: 26) is indicated as »Dhadingbesi« near (±250 m) N27°54'40”: E084°53'45” (unknown geodetic datum) on the Central Service Map 30 Dhading (1989 edition) but -- probably by mistake -- as »Dhadinbesi .579« in the India Road Atlas (Eicher Goodearth 2006) map 25G3. NOTE 7: »Les habitants ont déjà aménagé un petit temple à l'entrée et envisagent d'en construire un grand. Ils ont creusé un large sentier pour accéder à la grotte. A l'intérieur, les concrétions sont associées à des dieux : Shiva, Parbati, Mahadeva, Hanuman, Ganesh« (DUCLUZAUX 1993d: 26).NOTE 8: »Cette grotte es très ancienne (tertiaire)« (DUCLUZAUX & SCHENKER 1992: 59). »Le réseau … doit être très ancien« (DUCLUZAUX 1993d: 26).

Documents

Bibliography 15/07/2016

History

EXPLORATION HISTORY: Little doubt remains that the Chamero Gupha 4 hours east of Dhadingbesi is known to people familiar with the area since times immemorial. 1992 March: One or several unidentified entrepreneurs from an unidentified village commenced turning the cave into a religious industry outlet providing access to aniconic representations (venerable speleothems) of the four currently best-selling gods of the Hindu pantheon, namely Shiva (aka Mahadeva), Parvati, Ganesh and Hanuman. In October / November 1992 »Les habitants ont déjà aménagé un petit temple à l'entrée et envisagent d'en construire un grand. Ils ont creusé un large sentier pour accéder à la grotte. A l'intérieur, les concrétions sont associées à des dieux : Shiva, Parbati, Mahadeva, Hanuman, Ganesh« (DUCLUZAUX 1993d: 26).(DUCLUZAUX & SCHENKER 1992: 59; DUCLUZAUX 1993c, 1993d: 26). Herbert Daniel Gebauer - 15/07/2016

Caves nearby

Distance (km)NameLength (m)Depth (m)
6.4GUPTESHWAR CAVE, Dhading
13.1GUGIESHWARI MAHADEV GUFA, Dhading
27.8SITA GUFA, Gorkha
39.4BHALUKO GUFA
42.9NAGARJUNA HILL CAVE 2, Raniban
43.2NAGARJUNA HILL CAVE 1, Balaju
43.4THARA GUPHA
43.7Ratomato Quarry Cave
50.6SURJEGHATAKO OTAR